by Chloe Paddack, Exhibits Fellow

Did you know that one of the biggest radio stars of the 20th century was from Southcentral Kentucky?

Cynthia Mae Carver, more popularly known as Cousin Emmy, marketed herself as a Kentucky Mountain Girl, but her roots were in the bluegrass songs of Barren County. She and her “Kinfolk” became renowned bluegrass musicians that starred on local radio stations like WHAS but also featured on CBS stations with over 70,000 listeners. So how did this Kentucky girl ascend to stardom?

 

Black and white photograph featuring Cousin Emmy, a white woman holding a banjo, surrounded by several other young men and women holding various musical instruments.

Cousin Emmy and Her Kinfolk. Photograph taken in Louisville, KY. Image provided by Nancy Richey.

 

Cynthia Mae Carver was born March 14, 1903, to a sharecropping family. Her father was on the run for manslaughter charges, and Cynthia recalled that her childhood home “had cracks between the walls so big that you could a-throwed a cat betwix them without touching a hair.”

Cynthia grew up stripping tobacco in the fields with her siblings, but decided early on that she didn’t want a part of the farming life. Since musical talent ran in the family, she began performing for small crowds at quilt parties or the local County Court Days. She learned 13 different instruments, including the dulcimer, guitar, and fiddle, but she preferred the banjo above the rest.  There wasn’t a lot of money in it, but she was determined.

“I told the folks that I was a-goin’ to git on the radio. My mother she upped and whopped me.”

 

Black and white photo of Cousin Emmy, a light skinned woman wearing a patterned dress and holding a five-string banjo.

Photograph of Cousin Emmy with her banjo. Image courtesy of Nancy Richey.

 

Cynthia’s escape route came from an unexpected source. Her mother filed for divorce, leaving Cynthia’s violent-prone and law-breaking father for a new life with the children in St. Louis. Cynthia was 17. She and her siblings performed for a while, including on the KMOX radio station, before Cynthia decided she would do well on her own.

 

Black and white photograph of Cousin Emmy holding a guitar under her arm, a harmonica in her teeth, a banjo in her hands, a fiddle clipped to her dress in the back, a bass propped up beside her, and another guitar under her foot. She is sitting on a stool with a KMOX microphone in front of her.

Cousin Emmy performing on KMOX. Image courtesy of Nancy Richey.

 

Cynthia moved back to Kentucky, and before long, she had her own show on WHAS. Along the way, she gathered several different musicians that became Cousin Emmy and Her Kinfolk. They toured the country, sometimes driving over 500 miles to honor multiple stage commitments. As Emmy, she even featured in two movies: Swing in the Saddle and The Second Greatest Sex. She was also on Pete Seeger’s television show, “The Rainbow Quest,” alongside names as big as Johnny Cash.

 

Black and white photograph ofCousin Emmy and the Midwesterners in a scene from the movie "The Second Greatest Sex." She is wearing a folk dress and holding a banjo and singing while several men surrounding her also hold instruments.

Cousin Emmy and the Midwesterners shown in a scene from the movie, “Second Greatest Sex.” 1955. Image courtesy of WKU Special Collections Library. SC2014.33.11.

 

Cynthia always remembered her desire to overcome the poverty she grew up with as a child, and it was likely for that reason that she remained her own manager and advocated for herself. At one point in her career, she was making more than $14,000 per week in today’s money. She knew her worth and stood up for herself when many women musicians were still confined to traditional gender roles or managed by men.

As Cousin Emmy biographer Nancy Richey wrote, “she was playing in a ‘man’s world’ and not only learned how to play in it, but how to succeed in it. She felt no one could represent her and her interests better than herself.”

 

Colored photograph of an older Cousin Emmy with a fiddle in position to play. She wears a stylish black dress with her hair done up nicely."

Cousin Emmy with her fiddle in the late 1960s. Image courtesy of WKU Special Collections Library. 2009.100.274.

 

Cynthia never shied away from playing her bluegrass music. She was proud of her Kentucky roots, though she admittedly suggested she was a “mountain” girl despite living nowhere near the Appalachian Mountains. In 1947, she worked with Alan Lomax to create her album “Kentucky Mountain Ballads.” This was during an era when many musicians were prioritizing live music instead of recorded music, so it is the only record she recorded in her lifetime. But it stands as a testament of her dedication to the ballads she grew up listening to and performing in Barren County, Kentucky.

Oil painting. Cousin Emmy is painted with her mouth open and her five-string banjo in hand. Behind her are painted several quilts and stick figures performing folk music and dance. Text reads: Kentucky Mountain Ballads. Cousin Emmy. Decca Records. Artist signature in bottom right corner: Gary Bewley."

Gary Bewley’s cover for Cousin Emmy’s “Kentucky Mountain Ballads”. Image provided by Nancy Richey.

Discover more from Kentucky Museum

Subscribe now to keep reading and get access to the full archive.

Continue reading